2011/02/25

Ridin' Solo

I'm putting this on a shirt tomorrow.

Thesis
If you haven't been able to wear your jean shorts in 10 days, it's okay if you wear them around in your room on a freezing cold day.

What a terribly busy week. Had to knock out a paper and read lots of pages of lots of books. Luckily, after such a busy week, I was able to unwind last night. This included the one-two punch of watching some excellent improvised comedy and winning the gold medal at the Urban Dictionary Spellin' Bee. The improv was performed by Awkward Silence Comedy. The spelling bee was created by Drew and Burger for their Q-Project, and hosted by the comedy duo Will and Stone. Fun stuff.

After a record-breaking (for this week) nine hours of sleep last night, I'm feeling all better.

Proposal
> On any given day, I will spend no more than one hour online.

- Blogging can extend past the one hour mark, but does count toward the day's total.
- I am still allowed unlimited tweets from my phone.
- Online research for class does not count toward the day's total.

I've come to some weird conclusion that I should severely limit the amount of time I'm online. It just occurred to me that I could probably be doing much more constructive things. And, as Lil B said, "The internet has ruined the human race." So, in accordance with my based lifestyle, I'm changing things up. Kill your laptop!

Stretching Yr Performance
I apologize to everyone living on this floor. The amount of singing I do in the shower is absurd, and the content is probably even moreso. I understand that no one but myself is enjoying these daily thirty-minute suites. I must point out, though, that there is nothing more affirmative and refreshing than acting ridiculously or witnessing someone act ridiculously.

For instance, today my floor heard Panda Bear's "Last Night At The Jetty," Ennio Morricone's "Il Trio," Weezy's "A Milli," and The Knife's "Still Light" strung together in a virtuoso a cappella medley. If you had to hear it, maybe you'd get a kick out of it! This is my hope. Whether or not I'm actually altering the course of my floormate's day, I'm at least enjoying the cuss out of myself.

Another great example - I just performed a seven-minute long (and naked) interpretive dance to Avey Tare's "Laughing Hieroglyphic." It was spontaneous, dramatic, emotional, and rewarding. So cathartic!

Perhaps more practical and effective for y'all is another new practice of mine. And that, fam, is stretching. Stretching is like the best thing that's ever happened to me. And this isn't some variant of yoga, or something that doesn't sound exactly like what it is. It's just touching your toes and stuff. Great! I do it when I wake up and I do it before I fall asleep. If you ever have trouble falling asleep, stretch! You feel like a million dollars. It allows me to get inside my headspace and chill, get an awesome endorphin rush, and get cooled down.

Why in the world didn't I figure this out sooner? It should be noted that stretching is a lot easier - and infinitely more fulfilling - when you're not surrounded by classmates in PE.

Art & Me
Yesterday I watched two great films. Each movie was Great in one of the two ways that a piece of art can be Great. Great Art, according to #METASWAG, can only be measured in terms of its effect on the objective individual. This is how I came to these two principles.

Great Art Makes Me Want To Either/Or
1) Sit somewhere alone and dive deep into myself (maybe without ever returning)
2) Go talk to someone (or better yet, You) about Big Life Stuff

Grave Of The Fireflies


Here is a movie that falls squarely under the first principle of Great Art. This one hits hard. The film tells the story of a brother and sister who are orphaned in the firebombing of Tokyo in 1945. Yeah. Prepare to cry a lot. It's a road movie in the vain of Badlands, but with an added dose of historical gravity and emotional bleakness. What it does really well is capture the emotion and behavior of children facing such difficult circumstances. It shows the simple joys of sibling relationships, and the huge love therein. There are moments of human relief amidst the overwhelming tragedy of the thing. Then again, there's almost no escaping the devastating conclusion of the film. The ending here is probably the most a film has emotionally affected me. Well, that might not be true. I've been made happier by some movies than I was made sad by this one. So, I can say that this movie made me more sad than any other move I've seen. And I've seen sad movies, fam. It's what I do. Also, it must be said that the animation is on par with the writing and music and performances.

Or, this movie is perfect - I'll crawl into my headspace now.

Before Sunrise


Richard Linklater has a track record up there with David Cronenberg, David Lynch, Wes Anderson, and Terrence Malick. Here's a movie that perfectly falls under principle #2 of Great Art. This movie also follows a male-female pair, but the subject matter is a lot less daunting. The setup is hella cliche romance. There's a meet-cute and everything. But it doesn't matter, because the movie avoids almost every convention. The dialogue is hella believable and interesting. This is something Linklater nailed in his other masterpiece (Slacker), and inspires the sort of thought you'd wanna share with others. The couple's chemistry comes across as authentic and isn't contrived through plot. The lack of a plot is in itself a relief. It does not follow the usual Boy-Must-Conquer-Heart-Of-Girl routine. It's first and foremost a human flick, and explores all kinds of territory that a romance doesn't usually (but should) cover. And the ending! Hella well done. There's one sequence following the film's denouement that I'd love to discuss on #METASWAG, but I don't want to spoil it for anyone who hasn't seen the movie.

Or, this movie is perfect - let's talk about it!

Big Time
Not only is this a phrase oft-employed by my dear friend Drew, but it also serves as a quantitative descriptor of exactly how excited I am about April 12th. For those of you unawares, April 12th contains several amazing events [all of which, weirdly enough, are tied to music (this is Not a music blog)]:

> Tomboy is released
> The new TV On The Radio record is released
> The new Ponytail record is released
> It is Record Store Day
> Weezy, Nicki, & Rick Ross are performing at IU's Assembly Hall

Thank You Based God! What a day that will be.

Conclusions
Well, before I leave y'all, I'd like to introduce a couple blogs worth checking out. In other words, some more friends have entered the blogosphere! Excellent.

> A stellar and swagged-out collection of thoughts. Usually examines movies and music.

> Not to be confused with Will 2's vegan blog, this is a space to read entertaining reviews of movies.

Oh! Another thing. The Oscar telecast is this Sunday! I'm going home for that one. There's this fun family tradition where errbody fills out their predictions and then the winner gets something or something. Anyway, it's nice. And, as I've noted, I haven't seen the Bro in like three weeks. That's not at all cool. So, this is going to be the week! And thanks to my newfound dedication to my studies, I won't have to stress out on Sunday night. I'll just be chill.

Another another thing - I will be going to California in like two weeks. SWAG. That most remarkable of persons who I will be visiting just blogged again. Check it out.

That's it for me, fam. Keep it real!

S-O-L-O
Or, how I happily spent some of last night

2011/02/21

fa, la, la, ra, da, &tc.,

"Look Your Best" © 2011 Hamz Photography

Thesis
If you're hungry and tired, you shouldn't eat or sleep - you should blog. This one is gonna be all about my headspace. Which is to say, it's a Classic #METASWAG Piece. None of the cohesive nonsense I was trying to roll with in the past few posts. Nay, this post shall be disjointed and ineffectually rambling.

Beginning with
Some thoughts on the new Radiohead record, The King Of Limbs. It's a bad place to start, because I haven't formed any real opinion of it, other than some mixed feelings about how chill it is. For one, it's probably their best produced album. For two, the songs are among the most well-written and -arranged. For three, there's just something not entirely here. I guess it's the sort of mythic quality that pervaded their previous releases. A Radiohead album is supposed to turn heads, whereas The King Of Limbs is pretty polite. It isn't as likable and digestible as In Rainbows, and it's not nearly as revolutionary as OK Computer and Kid A, or even as divisive as Hail To The Thief.

What it is, is an album that's "okay" with not making a ton of noise. The impact this record makes is a tastefully minor one. I really hate the concept of a "grower" album, but TKOL displays the classic symptoms of such a release. The fact that I'm sorta coming around to its quality is almost entirely due to the album's final three songs.

06. "Codex" [heartache-worthy, dense ballad]
07. "Give Up The Ghost" [such a mellow feel]
08. "Separator" [slow-building android-angel jam]

Those tracks just slay. They harness that weird power in Thom's voice, most effectively blur the line between organic and artificial music, and probably contain the best melodies in Radiohead's catalog. Which is to say, they stand head and shoulders above the rest of the material on this record, of which the first five songs comprise a suite of "Songs That Sound Like They Were Written By Latter-Day Radiohead." It's perhaps the twisted genius of the album that its brevity and strong finish convince me to relisten to the whole dang thing, despite its bland opening. I'm pretty sure I'll eventually be persuaded that it's an indispensable masterpiece.

So, it looks like I did have a few things to say about this one. Anyway, check it out.

Continuing with
A panic attack - in which our Hero realizes that it's 3:20 AM, and he has class in under seven hours (and with several chapters of Langston Hughes poetry to read). He continues to write with reckless abandon, unsure of what to pursue and why he should even go on.

For the time being, allow me to indulge you with my Top 10 Releases Of The Year So Far:

10| Higher Learning, Vol 2 - Fashawn
09| Unlearn - Fergus & Geronimo
08| The One... Cohesive - G-Side
07| Angels Exodus - Lil B, "The Based God"
06| The Magic Place - Julianna Barwick

05| The King Of Limbs - Radiohead [ed. note - alright, dangit, I guess I like it a lot]
04| James Blake - James Blake
03| Ravedeath, 1972 - Tim Hecker
02| Angels Of Darkness, Demons Of Light 1 - Earth
01| Kaputt - Destroyer

What am I doing? Turning this into a straightup music blog (which, I must say, is totally boring). Let me also rant here about how excited I am to go to California in three weeks. There, I plan on talking with my best friend TIL THE BREAK OF DAWN every night, and spread basedness and swag. I'm also excited about Akron/Family on Wednesday, and the potential for Lil Wayne/Nicki Minaj/Rick Ross to blow up my ears in a few months.

Right now, I'm also sorta freaking out about my first real (read: English) paper of the year. It's due on Thursday and I ain't got a clue, fam. However, I've appealed to my basedness, and recalled the wise words of Lil B, The Based God, in the opening of His spiritual "Im Heem":

I Don't Care

Ah, bliss. That's the sort of attitude you could go to bed with.

Concluding with
My based dreams. Yessir. Riding this coffee wave into a stellar wipeout into the blue calm of my jersey sheets. I dream of a world in which I have a roommate for Spring 2012. These dreams may have been realized in a certain pelirroja friend. One can only hope that the apartment is a shoebox big enough for two big personalities [it is (the personalities are compatible)].

On another note, my favorite music blog (which shall remain unnamed; keep it secret, keep it safe) has totally begun the backlash against Odd Future Wolf Gang Kill Them All. Not cool, bros. I plan on writing for your zine before I get my BA, and I can't have y'all hating on Lil B and Odd Future. Anyway, I'm sure you'll get over it once Goblin comes out.

It should also be recorded that I continue to miss my bro, and cannot wait to Oscar out with him on Sunday. Fam, fam.

Conclusions
Maybe that went a lot better than expected. Props to the sustained greatness over at WaffelHaus. And to the sustained likability of the GF. Can't wait for this weekend, y'all. Before that, I can't wait to sleep. Swag out, fam. zzzZZzzzZzzz

Sometimes I Feel Like This And It's Great

2011/02/17

On Topic

OFWGKTA's stated goal was to "Scare White America."

The most attention-grabbing televised musical performance
since the debut of "Runaway."

Thesis
If you put your mind to it, you can accomplish great things. In keeping with a minor trend I'm trying to establish for #METASWAG, this will be a focused post. A post so focused, it'll be written almost entirely on Odd Future Wolf Gang Kill Them All and tonight's swagged out performance on Late Night With Jimmy Fallon.

"Sandwitches"


Tyler and Hodgy destroyed it. It went from 0-60 in the weirdest way. The pair started off nearly immobile (flanked by a hospitalized zombie female?), and then erupted into movement. They were furious. It was a raw performance, unhinged and violent. Pretty amazing. Tyler busted out of the confines of the music stage and jumped around Jimmy's desk and walked over the guests' couches. He then returned to the stage and chanted "WOLF! GANG!" with Hodgy until the music (as performed by The Roots) ended. The two then immediately exited the stage, leaving Jimmy awkwardly alone on camera for a few seconds. Tyler and Hodgy returned to the stage, but didn't exactly shake hands. Tyler put his hat on the host and then mounted him for a #JimmyBackRide. Still on Jimmy's back, he then starting shouting at the camera with his tongue out while Fallon tried to conclude the show. Mos Def (who was there?) then put his whole face up in the camera and shouted "SWAG" while the credits rolled. [ed note -- written before the video was available]

Rock 'n Roll
That performance is how you make a statement.

Hype
Coupled with Tyler's "Yonkers" video, this is going to blow Odd Future up big on the web. I can't imagine the video of this performance not getting major hype tomorrow. Like, Pitchfork front page level hype. Tonight captured the Gang's swag perfectly, putting their chaos and energy up front.

Conclusions
Of course, I'm mired in the excitement of the moment. But, as Donna Haraway describes, this fanboy-hyped situated perspective provides a more objective view on Odd Future's swag than that of the removed observer. So, I'm proud to say that that performance was objectively exciting and amazing.

Anyway, this post was an attempt at posting something focused and relevant. I promise some more traditionally #METASWAG posts shortly. Y'know, ramblings about art and my life and my stress and my love. For now, I'll just close this post with an irrelevant video.

UPDATE
LOLOLOL I was totally right about Pitchfork AND I beat them by an hour. They used the same picture, too. I think they're on the forum. #SWAG

For Allison